gasolina

Una de las referencias más importantes de esta investigación, Forocoches
En este caso, hablando de la fábrica Lingotto de Fiat en Turín.
Coche y arquitectura en forocoches.com

In August, 1975 members of T. R. Uthco and Ant Farm traveled to Dealey Plaza, Dallas Texas to film their "authentic remake" of the assassination of JFK. Using the Zapruder and Orville Nix films as their guides, the attempted to recreate the images as they had first appeared in Life Magazine. The Eternal Frame, documents their reenactent and the event leading up to and following it.

Citroen Deèsee, Citroen Diosa

ERIK TABUCHI

click on them to see his projects

Esta foto te lleva a un archivo web de documentales de diferentes formatos. ¡¡¡¡click on it now!!!!!

Disneyland hizo una atracción que se llamaba Autopia. Atributos urbanos publica un artículo hablando de Reyner Banham y su loves Los Angeles con el mismo título.

http://atributosurbanos.es/en/terms/autopia/

Sebastian Martínez et Victoria Simon, 2002
Recorren París - Marsella por la misma autopista que Julio Cortázar y Carol Dunlop. Deciden grabar todo el viaje y publicarlo como un documental. Llevan "Los autonautas de la cosmopista" como guía. Aquí el resultado.

The Sir-Vival articulated car (1958). Walter C. Jerome of Masschusetts was a man possesed by a mission to make the world's safest car. Primarily concerned with head-on collisions, he split his car into two, hoping the front section would absorb collisions, leaving the passenger cabin untouched. Using a heavily modified 1948 Hudson sedan as a rear section, he provided the driver with a 360-degree wraparound windshield, rubber bumpers, seat belts, a padded interior, and built-in roll bars.

1975, The Eternal Frame

James Benning´s One Way Boggie Boggie &
One Way Boggie Boggie 27 years later (Single channel)

James Benning shot One Way Boogie Woogie, an hour long film composed of 60 shots of industrial urban landscape: smokestacks, sidewalks, three Volkswagens, people and animals here and there. In characteristic fashion, Benning's apparently simple, static shots are exercises in meticulous artistic composition and his careful sequencing ensures that the director's playful humor is given full expression. Twenty-seven years later, Benning returned to Milwaukee to shoot "the same film again." As the first versión the film is composed of 60 shots, all of 1 minute lenght. The second versión keeps the original sound of the 1977 film.
For study purpuses i´ve edit the two versión in a single channel in order to see the differences in every composition. I strongly recommend to watch first the movies as were intended to show. And then come here to analyze the shots.

TEXT: Workroomfilms

GASOLINA son todas las referencias que me voy encontrando a medida que voy desarrollando la investigación. Se trata de un tótum revolutum de imágenes, textos, videos, etc. que voy descubriendo en lo físico de los libros de la biblioteca y en lo digital de la deep web.

The gas station is one of the most iconic of twentieth century buildings. Recognised across the world, it is arguably most established on American soil where the notion of the road trip on a full tank of gas is culturally ingrained.

Gasoline presents 35 archive press images of gas stations taken between 1944 and 1995. They have been collected by writer David Campany, purchased from the photography archives of several American newspapers which have been discarding their analogue print collections and moving to the now ubiquitous .jpeg or .tif formats.

Individually the images are single moments in time; collectively they show a growing consciousness about cars, the oil trade and global concern about pollution.